For the backdrops, I use picture frame mat board found at any art and craft store and usually on sale. You do have to be a little more careful with this as it can show scratches/blemishes more than the poster board PBP uses. He's the one that gave me this idea as once again, I always liked how his photo's turned out. I ended up buying 8 or 9 different colors and experiment with what looks best. These are also white on the back so I essentially get two colors.
If I'm just doing a gun alone, I like for it to "pop" at the viewer. If I'm doing more of a composition, I like things to blend and flow yet still have that subtle "pop". This probably comes from the taxidermy and doing habitat bases, dioramas, etc. For example, here's a pic of my Silver Hunter with a guncase in almost identical poses. The orange makes it "pop" but the green makes it flow with a subtle "pop". I prefer the green.
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Of course, you can use anything you want for a backdrop or setting. The deer hide and antlers tie in nicely with the Ruger but look out of place with my Kimber. Some of the pictures I used my leather coat. I've seen ones with denim coats that also looked nice. If using a coat or fabric, bunch it up some to give it depth and "character". On my coat, I was trying to hide any seams so as not to be distracting from the subject. Don't be afraid to experiment with backdrops as you never know what you'll stumble upon.
I get a lot of my ideas from forums like these and seeing various poster's photos. Like everyone else, I read a lot of gun rags, visit their websites and get their catalogs. Much of their photography is outstanding and gives you a good foundation on what your looking for.
Also, don't be afraid to try "effects". The one M&P photo is with the lights off and a flashlight held above it. The other M&P photo is me blowing cigarette smoke on it and then snapping a picture. I think that one turned out pretty cool. Some pictures I've seen just involved parts of the guns, hence the Ruger emblem/frame and the muzzle/bullet pics. It's different but it seems to work well. You don't always need the whole gun to have an interesting picture. Here's one of my Browning T-Bolt.
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Angle of the shot makes a big difference and gives a whole different feel to the same picture. This picture is basically the same pose but different angles. The first is nice but the second...well it's probably one of my favorites I've taken so far.
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You can also see on the second one how the colors of the holster leather, box graphics and hollow points flow with the orange mat board. Even the silver bullet cases reflect the orange causing everything to blend together nicely. Yet you still get that "pop" even from a rather busy composition.
I still have much to learn but have improved greatly over the past year. I owe a lot of gratitude to PBP and his pics for guiding me. Try different things, experiment with effects, angles and backdrops and who knows what you'll discover.
Sorry for the hijack. We now return you back to your regularly scheduled thread.