Thanks you guys for your kind words.
Oh........the rifle are not an Isaac Haynes copies. In fact these are handmade "modern originals". More what is called "new school" rifles. In other words, they are really not directly inspired at all by any old original school or maker. They are just what I came up with when they were ordered. The best guns I make are those where the customers tell me what caliber they want, left or right handed, and what type of stock wood they like. Then just let me do what I do.
I am pretty good at it, and they get my best work when I am unrestrained.
Smart buyers know that I am good at my job and that I probably know more about building than they do (which is why I am doing it instead of them) When I am allowed to just work as if I were making it for myself I can invent the art as I go, and the flow is usually better than if I have to follow someone else’s idea.
I do documentary recreation and interpretive builds too, and I like to think I do them well. When a customer likes a “JP Beck” style or a “Hawken” or a Brandenburg Jaeger, (or about anything they want) I can accommodate. But the problem with documentarily recreation is that if it’s done right you have to also recreate the “mistakes” of the old gun. Not that there is anything wrong with that. It’s just what the customer wants. I build to the whims of the customer.
But the idea of what we call “The Golden Age of the American Longrifle” was in the 1790-1830 era was only true until about 30 years ago. The real “Golden age” is here now. The finest American Flintlock Rifles ever made are being made today, not 190 years ago.
With all due respect to the masters that lived in that era, I still say that the “golden age” is now.
I and my fellow builders stand of the shoulders of giants.
We have the advantage of being able to study their work and the work of the masters for about 65 years of history by going over their guns with magnification and evaluating them as a science.
Buying books that contain the prints of hundreds of the very best made in the old days and we can study and glean more knowledge in 1-2 years than any old master could have accumulated in his life. Those old smiths have left the American Shooter of today a heritage that is worth saving and taking seriously. I am doing what I can to preserve that craft.
As the Smithsonian institute says.
“The American Longrifle was the first truly American art form”
I hope I can remind all real Americans of their heritage and the history that brought this art form into being, as well as the hand of God who led our nation to greatness.