Yes Gatofeo, I can do what ever is asked for. I started doing this kind of thing when I was a boy, and I have done restoration work for private parties and also for museums all over the USA and some of Europe too.
I have taught classes on a limited basis in the past, but the big problem is that I have a deep backlog on my work, so I can’t justify taking that time away from my customers. I have never advertized in my life, but I still have a backlog. At one time it was over 7 years in the rear. Now it’s only about 2 - 2 1/2 years.
I have done gunsmithing since I was 12. Not always full time. I was in the USMC for several years, and I also worked for DOD for a few more years, but even in those years I did gunsmithing on the side as a hobby and as a passion. When I was teaching combat tactics it was relaxing to me to come back and work on a 230 year old type of rifle, made for sporting use, not combat. I like guns, but "action shooting' for a living wears you down. Muzzleloaders are relaxing and I feel as if I have made something that will be remembered for centuries when I build something like this rifle.
The sling is made in the style of what was popular in the era of the 1760s. The tapestry is French, and it's sewn to a heavy piece of flax webbing. They don't last as long as the guns, so you very seldom see an original these days, because the slings wear out in 30-60 years and the guns last for centuries. Such decoration was considered proper in that time. Most of the highest grade guns of the era were decorated with floral designs. So it was not considered feminine then.
I have been told I should contact a TV station or news paper in the past to get coverage, but I am fearful that if I did, I'd never be able to keep up with the demand for the work. Even with NO advertizing at all, I can get buried so deep it causes me problems and I have customers calling me to ask how their guns are coming, when at times those guns are still a long way from being started, let along being finished.
I regret that I cannot go any faster, but you cannot rush this kind of work. I work 12 hours a day and most weeks I work 6 days a week now. I can't really afford to have my work splashed all over TV or I'd get so far behind I'd be fearful I'd die before I could fill the orders.
You ask if I have exhibited my work.
Yes.
It's in Utah, Nevada, California, Washington. Virginia, Missouri, Indiana, Illinois, Kentucky, Tennessee, Colorado, Wyoming, Montana, South Carolina, New Mexico, Texas Germany Austria, Belgium, Spain, Italy, and New Zealand. If you go to see firearms in various musiums you may have seen some of my work in the past.
I have guns in the hands of individual shooters in many other places too.
However, when I do a recreation or a restoration for a museum, I do not place my name on it. So there are exhibits all over--- but they people who see them don’t know the name of the men who did the work. They are there to see the guns, not to learn my name. I am not important. It's about the history, not the restoration.
I keep the directors of the museums happy and keep working, and they keep me from getting buried in mail and requests from more people that I could handle.
If you would like to write an article, I might think it is a good idea, but I would ask that we focus on the building and making of the guns, and not on me. I can just be "Steve" and keep a bit of anonymity in the writing so I can give the information to those that would like to read it, but not get buried in work that I can't handle. At 60 hours a week, I just can't really shoulder any more.
As far as doing one for you, I’d be honored. Contact me and I’ll let you know how I do business. The deep backlog works to the advantage of the working man in most cases. I ask ONLY for the cash for the parts and materials as a down payment. I accept no money for labor until I am doing that labor, and I built on the timetable and budget of the customer, so I am very easy to get along with.
Happy shooting and hunting