Old Gaffer
New member
Greetings All,
I'm the unofficial "weapons consultant" for a local theater company, and in about a year, we're producing the play "The Assassins". To cut to the chase, I have to have several different kinds of guns shooting; some revolvers in .22 and .32, a 1911 .45, a rifle (probably use a Mosin Nagant instead of the Carcano because I already have one) , and a .44 derringer.
My thought is to unload some factory ammo, remove the bullet, dump out the powder, and just shoot the primer.
This is going to be in a SMALL theater (seats about 75) and I'm very uncomfortable shooting even blanks inside such a small room. At one point all the guns get fired TOWARDS the audience, and this scares the bejeezus out of me. I WILL have to do some serious experimenting to find out just what, if anything leaves the end of a barrel with just a primer shot, and what I can do to trap all of it.
Does anyone have any thoughts, ideas, or experience to share. Right now I have far more time to do experiments than money to go truly "Hollywood" whit special effects. I have a C&R License to I can get historically accurate guns - or close enough for theater.
All the best,
Rob
I'm the unofficial "weapons consultant" for a local theater company, and in about a year, we're producing the play "The Assassins". To cut to the chase, I have to have several different kinds of guns shooting; some revolvers in .22 and .32, a 1911 .45, a rifle (probably use a Mosin Nagant instead of the Carcano because I already have one) , and a .44 derringer.
My thought is to unload some factory ammo, remove the bullet, dump out the powder, and just shoot the primer.
This is going to be in a SMALL theater (seats about 75) and I'm very uncomfortable shooting even blanks inside such a small room. At one point all the guns get fired TOWARDS the audience, and this scares the bejeezus out of me. I WILL have to do some serious experimenting to find out just what, if anything leaves the end of a barrel with just a primer shot, and what I can do to trap all of it.
Does anyone have any thoughts, ideas, or experience to share. Right now I have far more time to do experiments than money to go truly "Hollywood" whit special effects. I have a C&R License to I can get historically accurate guns - or close enough for theater.
All the best,
Rob