Sounds great, guys. This is a ton of fun for me. When I was a kid, I bought a gunsmithing book by John Traistor (sp?). I think I was about 14 at the time. I enjoyed reading it because it was a "gunsmithing book," but that was about it. I didn't get into building and tweaking 1911s until relatively recently (at almost 50). As I've progressed, I've really enjoyed trying to learn the old-school stuff, and right now, one of the main things I'm studying is filing - both file choices for specific funtions and how to use them correctly. I've gotten "decent" at it, meaning that I think I'm at least a stage or two above whacking away. One of the things that really hit home, though, was when I pulled that old book out a few months ago just for fun and found a statement in there about one of the basic differences between folks who really know how to use hand files and those that, as I said, just "whack away." The difference mentioned (loose paraphrase) was that whackers see files as tools to smooth things to remove imperfections, while true filing artists see them as a way to remove superfluous metal from an already existing contour that is simply buried in the steel. This seems similar to what I've heard about sculptors - that they see a finished work in a block of stone, and then just remove the excess metal from it.
Thanks for the gracious assistance, guys.
Best,
Jon